Avant-garde Scottish artist Bill Drummond, best known for his work with 1980s electronic outfit The KLF, brought his new documentary film Best Before Death to Stonehaven Town Hall recently. Directed by Paul Duane, it documents two years of the 12-year World Tour, which he intends to be his final project. Beginning in Kolkata, India, then moving on to Memphis, Tennessee, Drummond spends his time in these areas building beds, making soup and baking cakes, among other seemingly mundane tasks – to mixed reactions from those he meets on his travels. Apart from the film crew, Drummond is accompanied on this journey by Tracy Moberly, and towards the end we are shown his efforts to bring the story to the stage, with Tam Dean Burn playing Drummond and Moberly being portrayed by Charlie Sellers.Read More
For the past two years or so Craig Coulthard was regularly making ink drawings of t-shirts containing words and varied ornament, combining over 230 of them as a handmade book, An Intrusion of Insubstantial Messages. The book is available as a limited 1st edition of ten signed copies. Each book is hardback, entirely handmade and hand-stitched, with unique marbling and different coloured covers and inserts, and in each case is a piece of art in their own right. Craig spoke with The Fountain about how the book came to be and what constitutes an insubstantial message.Read More
Flannery O’Kafka: I wanted to turn on its head the recording of vulnerable people as medical or social spectacle
Project Ability’s next exhibition, The Residency Show features the recent Glasgow School of Art graduate Flannery O’Kafka, among other established and emerging artists. A large and varied group show with a mix of disability artists and others, The Residency Show incorporates those that Project Ability have worked with in Residence over the last year. Flannery O’Kafka spoke to The Fountain about her involvement in the show as well as her background in fine art photography.Read More
With little knowledge and context behind this project, and art exhibition, I took my intrigued self to the Mount Florida Gallery and Studios on a Saturday evening to join a party of people that had considered real -life legal cases and commissioned art works to be produced in response to the result of these cases. It was varied in media and format, and the only thread holding it together was that of Jill Kennedy-McNeill, a multi-disciplinary artist that works with textile, who has created not one, not two but three pieces as part of this project. Evocative and somewhat tangible, many of the works had a resonating effect, which lingered long into the evening.Read More
Mandy McIntosh’s statue of May Donoghue was recently unveiled in Paisley, a first for Mandy in terms of permanent classic sculpture. This is a reflection of the more contemporary practices in Paisley, the juxtaposition of the classic with the experimental.
Mandy spoke with The Fountain about her background and the process of creating a sculpture, as well as her thoughts on where Paisley fits in the Scottish art culture scene.
Jackie Morris, most recently known for her collaboration with Landmark’s author, Robert MacFarlane, on the beautifully illustrated The Lost Words, dropped by the Spiegeltent at the Edinburgh International Book Festival to talk about her work, collaborating, and how this all came about.Read More
Cryptic in conjunction with the European Championships 2018 have made the Clyde Tunnel a conversation starter for the summer, and certainly a more appealing and stimulating walkway for pedestrians. Somewhat of an audiovisual journey, using both the work of multimedia artist Robbie Thomson and composer Alex Menzies, the 762 metre-long walkway of the Clyde Tunnel has been transformed into a sensory spectacle but not the spectacle we were expecting.Read More
I arrive at Jupiter Artland, the slightly otherworldly sculpture gardens and gallery a short ride outside of Edinburgh, having already missed four hours of the day’s programme. Romanti-Crash is a wedding-themed “sleepover” event of art, music, performance and workshops, with stages nestled around and about the immaculately-kept sculpted hills, mounds, pathways and pools of Charles Jencks’ landscape work Cells Of Life. I’ve never been here before, and walking down the long winding tree-lined road to the site (the sculpture gardens are part of a large private estate, owned by art philanthropists Nicky and Robert Wilson, who bought it in 1999, with the sculpture garden currently celebrating its tenth year as a public gallery), the sky is beginning to darken and a temporary deluge of rain and wind has replaced the earlier sunshine.Read More
There is no getting away from Scottish pop this summer, and to be honest why would you want to?! Whether it’s the Rip It Up exhibition at the National Museum of Scotland or the radio series on BBC Scotland, there is a vast amount of material out there and in several formats and structures, all bridging stories about Scotland’s music scene. And for those that are here for the Fringe this month and are wondering what else to do in Edinburgh, it is on our recommends list. For a mere ten pounds you can be guided through the history of Scottish pop music from the fifties through to the present day, a total bargain.
Vic Galloway, BBC Scotland presenter, was commissioned to write the book which accompanies the exhibition and was more than glad to be asked to speak about this with The Fountain.
Ten years ago Joanna Susskind established the life drawing class as we now know it as All The Young Nudes off the back of her course at the Glasgow School of Art. With this tenth anniversary there is much to look forward to whether it’s Art Salons at Jupiter Artland (in fact there is one tonight) or sketching at The Scottish Maritime Museum in Irvine.
Joanna spoke to The Fountain about what drove her to set up All The Young Nudes, the collaborative events on the horizon to celebrate the anniversary as well her future focus.
If I were to advise visitors of the National Museum of Scotland’s exhibition, Rip It Up, it would be this. Don’t go on a stiflingly hot day with a hangover. Although housed in a dark space, there is a constant barrage of noise to cope with. Certainly it seems natural to have music in an exhibition about pop, but I found the twenty-second bursts of various songs punctuating the aural experience both musically frustrating and emotionally confusing. Of course, I could have listened to one of the exhibits through headphones but, you know: that hangover.Read More
Jean Cameron & Katie Reid: Processions is a once in a lifetime opportunity to take part in a mass participatory artwork
On Sunday 10th June, we will witness a unique mass-scale procession in four capitals, Edinburgh, Belfast, Cardiff and London to mark the centenary of women’s suffrage which you may have caught glimpse to, Processions. Allowing conversation and discussion about being a women in the 21st century as well as playing an understanding to scale of marches and the fight for suffrage in the 1800s, Processions Edinburgh will be a great opportunity to celebrate the first votes for women in 1918.
Jean Cameron, national coordinator for Processions Edinburgh and Katie Reid from the Glasgow Women’s Library told us more about the project and how to get involved.
If you value our reviews, interviews and content, please consider supporting the site with a donation of your choosing.
Review: Richard Holloway – Stories We Told Ourselves, EIBF 2019
Review: Markus Zusak – Boys Will Be Boys, EIBF 2019
Review: Ali Smith – The Joy of Spring, EIBF 2019
Review: DeRay Mckesson – The Inspirational Activist, EIBF 2019
Review: Home, Fringe 2019