Romesh Ranganathan has come a long way since playing forty seaters at the Fringe – nearly 6,000 people crammed into the Edinburgh Playhouse to see him play across two nights. Top stand-ups have rock-star status these days, something this comedian embellishes with a live DJ on stage to warm us up with classic hip-hop before both halves.Read More
Scotland boasts some of the finest seafood and best beef in the world. So it’s always a joy to see (and taste) it showcased, in this case alongside another local market leader, Edinburgh Gin.Read More
For the first five minutes, watching a stage play on a screen in a theatre is weird. But after that we forget and we immerse – bar the odd zoom in and theatrical bits of acting. It’s a long one at three hours and ten minutes (including a 15-minute interval) and to begin with, doesn’t seem to be a piece that can carry that duration. The opening scene is a dull bit of exposition, slightly over-egged by a few of the cast who seem to be better suited for the distance of stage than screen.Read More
The Greenhouse by BoxedIn Theatre is one of the few site-specific pop-ups at this year’s Fringe – and what an inspired one it is. Made completely from recycled materials, it’s a large wooden shack, with a clear corrugated roof, one dim Edison bulb for light and bench seating in the round. Built in the grounds of Dynamic Earth, it houses a range of plays about climate change. It’s contemporary, forward-thinking and ethical theatreRead More
This may well be my most trippy experience of the Fringe. We take our reclined cinema-style seats in the 360 degrees ShowDome (the nearest thing you’ll get to virtual reality without a headset) and relax. We are about to enter the weird and wonderful world of Pink Floyd, psychedelia and abstractionism.Read More
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