I arrive at Jupiter Artland, the slightly otherworldly sculpture gardens and gallery a short ride outside of Edinburgh, having already missed four hours of the day’s programme. Romanti-Crash is a wedding-themed “sleepover” event of art, music, performance and workshops, with stages nestled around and about the immaculately-kept sculpted hills, mounds, pathways and pools of Charles Jencks’ landscape work Cells Of Life. I’ve never been here before, and walking down the long winding tree-lined road to the site (the sculpture gardens are part of a large private estate, owned by art philanthropists Nicky and Robert Wilson, who bought it in 1999, with the sculpture garden currently celebrating its tenth year as a public gallery), the sky is beginning to darken and a temporary deluge of rain and wind has replaced the earlier sunshine.Read More
It’s the 14th of September 2016, an unwelcoming Wednesday night in Edinburgh, and I’ve forced myself up from the comfort of my sofa to go and see Berlin’s Matias Aguayo and The Desdemonas at Sneaky Pete’s. “Is this how you dreamt it would be?” asks Aguayo, between songs, three quarters of the way through their set. It turns out to be the central lyric of the next number, in which he’s seemingly talking about the dystopian future-present our childhood selves would find themselves living in today, but the question could equally apply to our expectations of the gig.Read More
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