Review: Vox Lux, Glasgow Film Fest 2019

All that glitters is not indicative of something that will encourage happiness or integrity as brilliantly shimmery catsuits demonstrate in Brady Corbet’s Vox Lux. Protagonist Celeste is a survivor of a terrorist mass shooting at her school, the song she writes to express her grief becomes the platform that launches a supernova career.

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Review: Julia Blue, Glasgow Film Fest 2019

A film made about a revolution is surely a winning bet in showing people at the their fiercest or most desperate. A film made during the revolution then is surely even more determined to be the extremes of life? Not so with Julia Blue, a nuanced and thoughtful story of the eponymous lead filmed in Ukraine during the 2014 uprising against the annexation of Crimea by Russia. It is in no uncertain terms a war for those in Julia Blue. A full-blown assault against the rights of Ukranians and Ukraine.

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Review: All Creatures Here Below, Glasgow Film Fest 2019

All Creatures Here Below presents as the story of two young lovers going on the lam after they both commit very definitely illegal acts that push an audience to the limits of empathy. As they progress literally and figuratively one poor decision leads to another and as the stakes get higher the decisions get worse. It’s a fairly well trodden road (trip movie) and the threat of not making it to the end comes as much from our protagonists as it does their situation. Spurned into action due to poverty it’s a theme that keeps re-emerging, Ruby (Karen Gillan) and Gensen (David Dastmalchian) live just on the edge of nothingness in every sense, and whilst Ruby may be too naïve to see it, Gensen has enough fury for the both of them.

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Review: The Big Moon, Museum of the Moon

The moon is swaying ever so slightly above our heads. Not figuratively. Really. We are sat beneath a seven metre wide 1:500,000 replica of the moon that floats on nearly invisible string in the middle of the Mackintosh Church. It forms part of the 150th anniversary of ‘Mack’. The latest project of Luke Jerram shines bright against the dark wood and Mackintosh style famed for simple curved lines making the perfect replication of every bumpy detail of the surface of the moon starker still.

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