I’ve been following Tim Hecker’s work since 2001 when we moved in not dissimilar circles, and it’s been great to see his oeuvre shape shift and develop over two decades alongside artists such as Christian Fennesz, Christopher Willits, Fransisco Lopez and Richard Chartier. I often get Hecker and Fennesz mixed up, as for me, their soft distorted grains are sharing sonic geography around similar darting soundscapes and occasionally seismic walls of sound. But Hecker is the rougher side of the sandpaper – he is the ‘one louder’ – and has pushed this aspect of his sound design element to the point of near-complete distortion, perhaps influenced by the Japanese noise scene. He is also, for me, in some ways, a descendent of the master of the mixing desk and bespoke patches – Merzbow. But as another reviewer has stated, he is a ‘High Priest of Drone’ in his own right.Read More
Life is a Dream is a new dance show by Olivier Award winning choreographer Kim Brandstrup from Rambert.
Based on Calderon’s 1635 tragicomedy, Life is a Dream is Rambert’s first full-length narrative work for several decades. It is presented as a piece of hybrid storytelling through dance, where evocative staging and orchestral excellence are equal bedfellows to the performers.
Supported by Heavy Lungs, featuring THE Danny Nedelko on vocals (we’ll get to him in a moment), is it? Could it be HIM? Either way, he’s writhing semi naked like a punk Marc Almond, they seem like a lovely bunch of lads. And an affable warm up troupe – but I’m now on their bandcamp enjoying them in their own right. But I have to move on.Read More
Domino Records’ Spinning Coin were the first support in what was an epic and tight evening at Leith Theatre with Jesus and Mary Chain top billing, but those supports were not to be sniffed at. Honeyblood were more than the sum of their roaring two piece, more of them in a moment.Read More
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