A Utopia Like Any Other is deisgned as an accessible and easy to understand guide to contemporary Sweden and its politics. Part travelogue, part academic primer and part reflection on our own need for utopias, the book takes readers on a journey from the 1930s to the present day and from an Arctic iron mine to the suburbs of Shanghai. The Fountain is pleased to publish an extract from the first chapter with kind permission of the book’s author, Dominic Hinde.

 

Everybody’s Utopia

I think we should look to countries like Denmark, like Sweden, and Norway and learn from what they have accomplished for their working people.

Bernie Sanders

It is late morning on a grey Wednesday lunchtime in the small town of Coatbridge, just to the east of Glasgow in suburban Scotland. On the high street it looks like any other day of the week; a few people mill around in the entrance to the concrete shopping centre as a man sells packs of socks from a temporary stall under the awning of a closed shop. The only places doing solid business are the ASDA supermarket and the turf-green illuminated Celtic FC club store directly opposite.

This is not just a normal Wednesday though. Tomorrow morning Scotland is due to go to the polls to decide whether or not it should become an independent country, leaving Britain for a new life as small Northern European nation. Coatbridge is typical of the former industrial towns that ring Scotland’s largest city, and until now the closest it has come to Scandinavia are the replica shirts in the Celtic club store bearing the name of Sweden striker Henrik Larsson. Kungen, or the King as Larsson was known to his English-speaking fans, is a legend in Glasgow’s eastern suburbs. Part of Celtic mythology, he did Sweden’s reputation no damage during his Scottish stay before taking his considerable talents on to Barcelona and Manchester United.

In Larsson’s footsteps comes a Scandinavian film crew, trying to find out what Scottish people think not only about independence, but also their potential new place in a reorganised continent alongside their Scandinavian neighbours. The region has loomed large in the campaign, with meeting rooms around the country filled with talk of Nordic prosperity and new northern horizons for the North Atlantic country. In response, members of the anti-independence campaign appeared on television with scare stories of 80 per cent tax rates and dystopian state controls, arguing with pro-independence voices that talked of political cooperation, Nordic peacekeeping and a cultural revival that would make Scotland as chic as the rest of the North Atlantic.

In a high concrete tower block overlooking Coatbridge town centre the TV crew knock on doors looking for interviewees. People are either not home or not interested. Eventually though they find someone prepared to talk to them, a former taxi-driver turned council cleaner mopping the lino-furnished landings between floors, ten stories up in the granite grey of the Scottish morning. The TV anchor, an experienced half Swedish, half Danish woman used to trawling Europe for stories, jumps in with her initial question after some encouragement.

‘Hi there, we’re filming for a Nordic television programme about the referendum and wondered if you wanted to talk about how you will vote tomorrow,’ she says with a persistent friendliness. The interviewee looks up from his mop. After some pushing he finally agrees to be filmed, and the arrival of two Swedish speaking crew gives him further encouragement.

‘I think I’ll vote Yes,’ he says with some consideration. ‘People are talking about it being more equal, more like Norway and Sweden and those countries.’

The reporter nods away, indicating he should say more. ‘It would be for the kids. You’ve got a pretty good impression of how they do things, and if Scotland could be more like that then it seems a good chance.’ Like many voters in Scotland, he has been reached by the ubiquitous pro-independence narrative of a nation reborn as a leading light of Northern Europe. The governing Scottish National Party have been talking about a North Atlantic ‘arc of prosperity’ and civic groups have been eagerly importing speakers from all over Northern Europe to talk about the country’s potential path, packing community meetings and articulating a different country from the one most Scots live in. The details however are sketchy, and the motivations range from environmental awareness and education to gender equality and economic success. Whatever the substance, the effect is unambiguous – Scandinavia is there to be copied and admired.

Brand Scandinavia has a worldwide reach far beyond Scotland’s central belt though, from members of the European left wanting to build their own social democracies to the Chinese middle class paying for mass produced designer furniture at IKEA stores in Beijing, or American TV executives snapping up the rights to Nordic drama. In Scotland’s case brand Scandinavia means reinventing the country as a better version of itself along the lines of an imagined north. It is a composite vision in which Scotland could have Danish wind and Norwegian oil, Icelandic fishing and Swedish industry. For many voters in Scotland’s independence referendum their Scandinavian neighbours offered a glimpse of a more radical, less granite-grey future. In the same vein, England has been sold Swedish free schools, France has embraced le modèle suédois in its sex work policy and Democratic presidential hopeful Bernie Sanders has singled out Sweden and its neighbours as a blueprint for a new America. Neither is this love of the Nordic a new phenomenon. The Nordic countries, and Sweden in particular, have always attracted a special kind of attention from utopian dreamers. In 1796 Mary Wollstonecraft, the English feminist and political philosopher, wrote a travel diary based on her time in Scandinavia in which the region was used as a canvas for what a radical and more egalitarian Britain might look like. The book sold well and unleashed a small wave of idealistic Nordic romanticism in the people around Wollstonecraft, exploiting the fact that few had first-hand experience of the places she visited.

More than a century later, a then largely unknown American journalist called Marquis Childs pitched up in Stockholm. His stay would result in a work that came to shape many people’s views of what internationally became known as the Swedish Model. Sweden: The Middle Way was a bestseller in the English-speaking world upon its publication, portraying a harmonious society in which big business had been made to bow to the will of the people and enlightened Social Democratic government had led the country on a pragmatic path between the twin perils of Anglo-Saxon capitalism and European totalitarianism. Including audiences with senior politicians and the working man, The Middle Way offered a glowing appraisal of Sweden’s path from poverty to cohesive market socialism that was the polar opposite of the depression- scarred ’30s United States Childs had left behind.

Childs’ Sweden was populated by altruistic planners and modest politicians working for a common good in well-designed houses and bright factories. Touring cooperative flour mills and interviewing the Prime Minister, his trip through a picturebook Sweden which combined cosy tradition with clean, modern market socialism left its mark on the British and American public. Eighty years on the narrative is remarkably similar, even if the world around has changed beyond all recognition.

Despite his enthusiasm for Sweden’s political project Childs was not an economist and never set out to write about Sweden’s burgeoning social democracy. He had originally travelled to Stockholm to attend a housing expo but returned having discovered what seemed to be a perfect society in the making. In the cultural essentialism of the pre-war years he was able to describe Swedes as a model race imbued with ‘certain basic characteristics – patience, intelligence, perseverance, courage’, and a democracy which ‘sprang from something inherent in the nature of the people.’ At the same time as the Swedish model was painted as an example for others to follow, Swedes were granted an exceptional position in an idealised pastoral socialism straight from the pages of a propaganda pamphlet.
The expo that Childs set out to cover was also anything but typical of the country it was in. Staged with considerable effort on the part of its organisers, the Stockholm Exhibition of 1930 was intended as an exercise in aspiration and utopian modernism that had yet to reach out beyond Sweden’s cities. Allan Pred, an American geographer who became one of the most nuanced commentators of Sweden’s global image, summarised the entire Stockholm Exhibition as nothing less than an elaborate attempt to market Sweden abroad.

Different pavilions at the exhibition documented Swedish achievements and Swedish Ambitions in technology and the arts. One of the main drivers behind the entire project was Gunnar Asplund, who was to become synonymous with the clean and bright image of modern Sweden. In fact at the centre of the Stockholm exhibition was an Asplund-designed restaurant with the word Paradiset – Swedish for paradise – emblazoned on its front. As long as the temporary exhibition lasted it offered a glimpse of Swedish utopia made real, with politics meeting design and culture in an alluring crystalline vision of a forward-looking, clean, and altogether better world.

dom-hindes-book

Three decades later, another journalist landed in Stockholm to find out about the modern Swedish miracle that Childs had uncovered. David Frost is better known to the wider world as the man who would engineer an interview with the disgraced Richard Nixon after the Watergate scandal, but in 1969 he conducted a seminal televised interrogation of a young and intellectually sharp Swedish politician, in search of answers about the country’s model society. The man in the chair opposite Frost was Olof Palme, Sweden’s Social Democratic Education Minister and Prime Minister in waiting. As head of government he would help to cement Sweden’s political reputation internationally through his defence of the Swedish model from the pressures of American economic imperialism and Soviet expansionism alike. A consummate statesman, Palme has since become faded, a symbol of the golden years of Sweden’s social democratic settlement. In the minimal surroundings of a Stockholm TV studio and seated on two leather armchairs designed by Le Corbusier, Frost probed Palme about the Swedish way. In the days beforehand the domestic press had promised an epic battle between the two heavyweights, but the visiting interviewer was met by a disarmingly cool and assured opponent. Frost’s challenging and provocative style demanded that Palme represent not just himself but the entire Swedish nation, from foreign policy to social reform. Defending opposition to the Vietnam War and being coy about his leadership ambitions, Palme calmly attacked the Anglo-Saxon political model and threw Frost’s questions back at him.

‘If you could look at one place and say “David, that’s the real Sweden,” where would you tell me to look?’ began Frost in his trademark laid-back style.

‘I can’t,’ came the politician’s reply. ‘To a foreigner this is might seem a small and dull country, but to me it is a country with infinite variety… there is not any one particular place that is Sweden.’ Unhappy with the answer, Frost probed again, ‘What is the essence of being Swedish?’

‘We are often pictured as a country that has solved its problems,’ replied Palme after some consideration. ‘There are a great amount of unsolved problems in this country, and to solve these problems we need a sense of community.’ Palme’s answer revealed one of the core characteristics of the Swedish model – the nation state as political project. The community that Palme hinted at was the People’s Home, or folkhem, an understanding of the interdependence of people within the country where the nation was seen as a single family. A political undertaking synonymous with a nationality, it had been introduced by former Prime Minister Per Albin Hansson, a man Marquis Childs had encountered on his visit to 1930s Stockholm. As Gunnar Asplund and his architectural contemporaries tried to build homes for people, the Swedish Social Democratic Party tried to build a single home for everyone in which all could flourish.

Despite his claims to represent the working man, Palme was as typical of the average Swede as Asplund’s pavilion marked ‘paradise’ was of the everyday lives of most people. Born into an aristocratic family and able to travel widely, he was an intellectual rather than a union man with a moral gravitas that won him plaudits around the world. Raised in the wealthy Östermalm district of Stockholm and educated at elite schools in Sweden and the US, his polished English tones mirrored his similarly refined Swedish. With his abandonment of privilege and his modest family house in Stockholm’s western suburbs, he embodied a vision of a new classless society. It was a vision he took with him around the world.

Where Wollstonecraft, Childs and Frost led many have followed. The idea of a golden middle way to be copied has become rhetorical currency amongst the European left and even some Liberals and Conservatives. The British sociologist Anthony Giddens used the concept extensively to describe a new kind of social democratic society, and it was in turn used by Tony Blair and Bill Clinton in their own political projects of the 1990s to promote an inclusive and cohesive vision of a society where all could succeed and thrive.

Neither is this admiration without foundation; from the 1960s to the 1980s Sweden had the lowest levels of inequality in the developed world by a considerable degree. When the celebrity French economist Thomas Piketty released his bestselling critique of global inequality, Capital in the 21st Century, he used the country as a case study, showing how Sweden had succeeded where others seemed to have failed. Piketty compared it to France, Britain and the US as an example of how different countries had evolved and managed their economies, with Sweden going further than any other developed country in reducing the huge disparities between wealth and poverty that existed in Europe at the beginning of the 20th century during the Belle Époque.

Together with its longstanding reputation for economic egalitarianism, in time the Swedish model developed to encompass gender equality and environmental responsibility on the global stage. Sweden itself meanwhile has wholeheartedly embraced the view that it is something special. This fusion, or confusion, of culture and politics is produced and reproduced worldwide across the media, from internet listicles on modern Swedish fathers to bestselling recipe books and conventions for fans of Swedish culture. In many cases the country is reduced to a lifestyle choice with vague connotations towards what the people buying it want to believe in and what Sweden itself wants people to believe.

The statistics though speak for themselves. Sweden is ranked fourth in the world for gender equality by the World Economic Forum and has been declared the world’s most sustainable country by one green investment monitor, also holding a high place in the Yale University global environmental performance rankings. It also regularly features in the top-ten on the Human Development Index, a un-backed ranking of countries which collates wealth, education, opportunity and life expectancy. This creates a complex picture in which Sweden is often presented as a vision of future society devoid of the problems which beset the rest of the world, or by its detractors as something far more sinister. Yet somewhere behind these international rankings, national branding campaigns and the utopian dreaming exists a real country occupied by real people; safe and clean and green and modern. Where, in the words of David Frost, is the real Sweden, and where is the line between utopian fiction and reality? What is the Swedish model, who are the people who live in it, and moreover, what is it good for?